Please bear in mind that international orders should arrive within 7-10 working days but can take longer depending on your postal route. If you have issues with your order, please email us at firstname.lastname@example.org.
Includes unlimited streaming of GROTTO
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 3 days
Purchasable with gift card
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Local Action presents the long-awaited second album by Lil Jabba, Grotto.
Jabba made his name producing hypnotic juke and footwork records, back when he was based in Baltimore, quickly catching the attention of footwork figureheads like the late DJ Rashad. His early music was self-released or issued via small-run cassettes, but built Jabba a cult following online. In 2013, Local Action released Scales, a critically-acclaimed collection of Jabba’s key material to date, described by press as one of the year’s “most singular albums.”
Jabba is not just a musician, he’s a painter whose work has been featured in the likes of Vogue and has been commissioned for album covers. Since moving to Brooklyn, he’s operated out of a loft studio called the Grotto that doubles as both a literal and imagined world for his creations - his music, his giant paintings and murals and the creatures and figures that orbit his work.
Later Jabba EPs on Local Action and True Panther focused on bringing the Grotto to life, both through a larger, more expansive sound palette (often featuring samples from the Grotto itself, such as echoes from pipes and room tones) and glimpses of the studio in the EPs’ artwork. These EPs also saw him find new supporters in artists like Hudson Mohawke, Sbtrkt, S-Type, Mumdance and Gilles Peterson, who nominated ‘Waila’ up for Track of the Year at his Worldwide Awards.
Jabba’s second album Grotto is the encapsulation of his story so far. It’s a genre-less record that draws from dub, Southern hip-hop, jungle and more without ever conforming to stereotypes, driven by the moonlit melodies and dynamic shifts that have always been present in his work. This is one of electronic music’s most individual voices in its most realised form yet.
released October 31, 2016
• Mastered by Beau @ Ten Eight Seven
• Cover Painting by Lil Jabba
• Design by Our Place Studio
As far as dream pairings go, they seldom get much more mouthwatering than Yaroze Dream Suite, the meeting of two instrumental grime's most futuristic minds; Miles Mitchell (aka Mr. Mitch) and Yamaneko. Constantly eager to discover new ways of pushing the genre, forward their eponymously-titled EP is an intoxicating mixture of melodic simplicity and percussive inventiveness that seems to act as both a fond farewell to grime's past and a tantalising glimpse of we what we might expect from it next. "In The Moonlight", for example, hitches the soulful vocals of Hannah Mack to theatrical steam organ stabs and just enough claps to keep the track from simply floating away. "Awakening", however, acknowledges grime's past with much gun-cocking and drums that sound like uzi bursts, but where once that would be the cue for a gruff MC to unmuzzle his paranoid angst and ratchet up the tension yet further, a mournful synth melody which gradually increases in volume as the track progresses creates an aural paradox which could be descriptive as the EP as whole. It's a mesmerising record and with new solo albums from Mr. Mitch and Yamaneko just around the corner, I for one am drooling at the prospect of what grime's next Great Leap Forward might have in store. Niccolo Brown